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Posted: Fri Sep 18, 2009 3:44 am
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Posted: Fri Sep 18, 2009 9:48 am
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Posted: Wed Sep 30, 2009 4:37 pm
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Posted: Sun Feb 07, 2010 11:50 am
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Posted: Tue Feb 09, 2010 10:47 am
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Xconsumed_by_loveX I looked to the psychologist and smiled almost evilly, I suppose you could say insanely, that’s what it felt like to me anyway. Of course I knew when it had all started – it had been happening to me – but I couldn’t really pinpoint the exact time I became depressed. I just realized one day there was something not quite right but why the hell am I telling you? You aren’t the one trying to help me but I highly suspect that this person isn’t either. As far as I’m concerned this person is just someone else making money out of my problems...
First off, the opening line is great. Right away, the reader is thinking "When did what all start?" and by the context of the question, they know the answer is coming.
What follows however, is a bit irksome in my eyes.
Considering that you're using a first person narrative here, think about perceptions of self. How often does someone think of themselves and what they do as evil, or insane, or sinister? I like to say that there are no true villains, because a good antagonist is not malicious from some corporeal evil, but for personal reasons of revenge, their perception of justice, or for their personal gain. In this light, they probably don't think they are always "doing good", but that doesn't mean they think they're doing "evil" either.
I would leave the aside-thoughts of the character until we get to know them a little better, too. I don't follow the whole "show, don't tell" mantra, because "tell" is sometimes the best method, but certainly in most circumstances, "show, then tell" is appropriate.
If your character really is evil, and insane, why don't you show this to the reader by (her?) words and actions first, not by having this supposedly crazy person speak directly to them.
This blurb does a great job of setting the scenario, on the other hand. We as readers know that something, or a series of events, has happened to the protagonist over about a month's time that has brought that person to the edge of their sanity. It makes us want to read more, but make sure that what we read more of is a window into these characters, not a conversation.
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