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Posted: Sat Feb 04, 2006 5:29 pm
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Posted: Fri Feb 10, 2006 8:56 am
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Posted: Fri Feb 10, 2006 11:23 am
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Posted: Fri Feb 10, 2006 11:51 am
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Posted: Fri Feb 10, 2006 12:01 pm
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missmagpie No problem! Happy to help! mrgreen Quote: Question: Do you assign certain coraspondences to different notes for magical toning? I'm not entirely sure what you mean... If you mean that a C could be used for something different from an F or any other note, then no. A single note doesn't have much meaning without relating to other notes. That's why intervals and scales are so important. It's the relationships between notes that make music what it is. Now, I think certain keys could be used for different things. Like the C major scale is in the key of C, and how pieces in the key of C (Ie. being major and having no sharps or flats) could have a slightly different effect than, say, a piece in F major. That's because I hear a different tone quality in the two. Erm.... Does that answer your question?
Sort of.
Toning- either abstract (single sound drawn out at random) or contextual (such as the Futhark) can be a very useful tool (although I don't think it is complex enough to be music on its own).
I ask because it would be interesting if contextual toning shifted with the note based upon corraspondences the note carries on it's own.
For example- if Fehu, was to be toned to invoke wealth, and middle C was tied to physical existance while high C was tied to say- intellectual influences, and what you really wanted was for a college scholarship to come through, one could tone Fehu in high C.
Make sense?
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Posted: Fri Feb 10, 2006 2:01 pm
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Posted: Fri Feb 10, 2006 2:13 pm
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Posted: Fri Feb 10, 2006 2:18 pm
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Posted: Fri Feb 10, 2006 2:28 pm
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Posted: Fri Feb 10, 2006 3:45 pm
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Posted: Fri Feb 10, 2006 5:39 pm
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Posted: Tue May 30, 2006 11:39 am
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Posted: Tue May 30, 2006 7:07 pm
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Posted: Wed May 31, 2006 6:17 am
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Sovereign of Darkness Question: As one could associate different notes with the Futhark, would these notes be set in stone, or is the meaning of the note of a more personal level? Also, if one were to figure out what note meant wealth to them, could it be conceivable that notes of a mathematically constant patern (Hz divided or multiplied by 2, for example) could be somehow related (they are essentially the same note, just in an octave up or down), or would it be more likely that each different frequency had a different meaning and no set relationship to other tones? I personally wouldn't ascribe certain meanings to specific notes for the simple reason that you'd have to have perfect pitch for it to work right. If you did, though, I would think mathematically related notes would have very similar, if not the same meanings. C is still C, whether it's low C, middle C or super high C. It's still a C. The difference would be in vibration rates - that high C might get you up and jumpy because it's more energetic and low C might be more grounding because of its depth. But then we're working with the sound itself and not the letter names. I mean, could you tell if something was a low C just by hearing the note?
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Posted: Wed May 31, 2006 5:44 pm
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missmagpie Sovereign of Darkness Question: As one could associate different notes with the Futhark, would these notes be set in stone, or is the meaning of the note of a more personal level? Also, if one were to figure out what note meant wealth to them, could it be conceivable that notes of a mathematically constant patern (Hz divided or multiplied by 2, for example) could be somehow related (they are essentially the same note, just in an octave up or down), or would it be more likely that each different frequency had a different meaning and no set relationship to other tones? I personally wouldn't ascribe certain meanings to specific notes for the simple reason that you'd have to have perfect pitch for it to work right. If you did, though, I would think mathematically related notes would have very similar, if not the same meanings. C is still C, whether it's low C, middle C or super high C. It's still a C. The difference would be in vibration rates - that high C might get you up and jumpy because it's more energetic and low C might be more grounding because of its depth. But then we're working with the sound itself and not the letter names. I mean, could you tell if something was a low C just by hearing the note? Actually, I could. When i hear a note, I relate it to four of the pitches that I memorized. Me being a violenist, those notes are (in order from lowest to highest)G, D, A, E. Granted, they're the only notes that I've memorized, but by relating each note to one of those gives me a vague understanding of just where on the scale it is. It might not be spot on, but it'd be in the ball park.
The only reason I ask is if you would want to have multiple people in a music based ritual (more of in the note sense, not freqency sense). There would have to be some sort of system in order to maintaing consistency with energy output in the ritual. If a note meant something else to everyone, the circle wouldn't that be effective. Then again, music and magic could be considered personal, so maybe I'm just grasping at straws.
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