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Posted: Tue May 30, 2006 8:46 am
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Posted: Tue May 30, 2006 8:51 am
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i really didn't like that pic, and i can't say why...
hmm, as to the point...well, i'm sure you could 'charge' something with enough energy to make some sort of effect upon another person's psyche, yet in order to prove that, you wouldn't be able to influence them by telling them a backstory or offering feelings they might be having (do you feel happy, sad, angry, etc). you'd have to have pretty open-ended questions (what do you feel? what do you think? etc).
otherwise, it just becomes the mind seeing what it wants to see, sort of a self-fulfilling prophecy. if you ask them 'does this make you feel sad?', generally, a subject would attach that feeling to the picture and find something about it that makes them sad.
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Posted: Tue May 30, 2006 12:36 pm
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TeaDidikai Of course it is possible. People do it all the time- some of us are just sane enough to use basic psychology over exerting any kind of emotional/psychic effort.... I mean.... no. It's not possible. I don't know what you are talking about.
Well, some of us just aren't so lucky and happen to get an ego-filling kick out of overelaborating something to death. ninja
@Maze, yes, it is. Such as if I were to exert some sort of focus on the picture in my sig in a way that would make virtually every person that viewed the image immediately tap into a feeling of, say, fearful reverence. >:3 (Sure, I could just build a reputation to where people would feel that way from past experience, but where's the fun in THAT?)
...hypothetically speaking, of course. ninja
@ Shadowwolf: I'm open to playing around with self-fulfilling reactions as well. 3nodding
I'm sure I could get a friend online and off to see if it can work.
I was also wondering about how seeing such an image online and seeing something like a physical drawing would differ, if they did at all.
EDIT: In fact, it might be interesting to run some sort of tests and surveys here, if at all possible.
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Posted: Tue May 30, 2006 12:43 pm
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Posted: Tue May 30, 2006 3:40 pm
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Posted: Tue May 30, 2006 10:44 pm
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TeaDidikai Fluffy Little Octopus TeaDidikai Of course it is possible. People do it all the time- some of us are just sane enough to use basic psychology over exerting any kind of emotional/psychic effort.... I mean.... no. It's not possible. I don't know what you are talking about. Well, some of us just aren't so lucky and happen to get an ego-filling kick out of overelaborating something to death. ninja Are you implying something my fluffy little sushi nibblit?
Towards myself, yes.
Because I'm an egotist. :3
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Posted: Tue May 30, 2006 11:22 pm
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Fluffy Little Octopus TeaDidikai Are you implying something my fluffy little sushi nibblit? Towards myself, yes. Because I'm an egotist. :3 Ah. Well, that's fine then. mrgreen
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Posted: Tue May 30, 2006 11:28 pm
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TeaDidikai Fluffy Little Octopus TeaDidikai Are you implying something my fluffy little sushi nibblit? Towards myself, yes. Because I'm an egotist. :3 Ah. Well, that's fine then. mrgreen
If there's a way of fixing the grammar in the sentence in question to where it can't be used to mean both of those things, I'd love to know it. sweatdrop
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Posted: Tue May 30, 2006 11:38 pm
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Posted: Tue May 30, 2006 11:52 pm
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Posted: Wed May 31, 2006 9:00 am
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Posted: Wed May 31, 2006 11:03 am
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Posted: Tue Jun 20, 2006 10:43 am
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Posted: Fri Jun 23, 2006 4:43 pm
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I wonder if the unsettling feelings from those pictures might stem from the same idea as the Uncanny Valley. That something is so lifelike, without being alive, that it triggers a response in the viewer that it is somehow "unnatural". For example - particularly lifelike portraits of people have often been described as spooky, creepy, or otherworldly, while a photograph of the same person would just be shrugged off (unless it happened to be a particularly spooky person or photograph).
As to the changes in face one notices when staring into the portrait's eyes (the second, much less freakish one), it could be argued that it's an optical illusion - constructed the same way as many other illusions of its kind that leave the viewer with a faint sense of motion around the peripheral vision when their focus is turned to one point.
As far as constructs go...it's an interesting concept. I can't say I've had much non-fluffy experience with it (as in, I was the Bunny "making the construct"), but I'd be more than interested in the results of your experiments therein. I will say, though, that there's a very wonderful non-magical "construct" that I like to toy with myself: semantics. Careful word and phrase selection can confuse the unwitting reader into believing that you are saying something that you are not, and therefore throw their support behind something that they would not otherwise agree with. So if that works, who's to say that actual energies bound into a medium couldn't?
EDIT: Even stranger about the second picture - when I chose to focus on her lips instead of her eyes, her expression seemed (after "focus-warping" set in) to change to one of ladylike shock - the expression of a "proper Southern lady" being taken aback by something but expressing it daintily. That was the only description I had for it. Going to try to take some objective third and fourth looks later , again focusing away from the eyes, to see if I get any other interesting expressions out of her. Well, interesting to me at least.
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